At the age of 25, Kaendler, was appointed court sculptor by the Polish King Augustus the Strong. It was the same year he joined Meissen porcelain manufactory as a modeler, to which he remained loyal throughout his life.

Kaendler’s name is closely associated with the golden age of the Meissen manufactory in the 18th century. Here, he showcased his artistic and technical prowess through numerous porcelain sculptures. These pieces continue to be highly prized by collectors and remain an integral part of the manufactory’s legacy.

His early sculptures reflect the interests of Dresden society, including hunting, theater (especially commedia dell’arte and opera), and the Order of the Pug, which replaced the banned Freemasonry after 1738.

Kaendler also created a series of figurative groups, now known as “crinoline.” These magnificent, multi-coloured compositions, consisting of ladies and gentlemen in rich court costumes, depict the everyday life of the elite of the time, which was regulated by etiquette – courteous conversations and sensual courtship. Usually in the background we can see black servants serving the fashionable drinks of the time – chocolate or coffee.

The fascination with the Orient and its immense wealth, widespread in the 18th century, was expressed in figurines depicting Far Eastern themes, figures in fancy costumes and exotic animals - such as elephants, rhinos, camels and lions. They were often modeled on engravings published in travelers’ accounts.

Kaendler devoted another series of figurative groups to courtly love – in shepherds’ costumes. In this series, lovers dressed as shepherds are accompanied by sheep held on ribbons and dogs symbolizing fidelity.

The exhibition has been jointly organized by the Röbbig Gallery and the Wawel Royal Castle, and co-financed by the Polish ministry of culture and national heritage.

Don’t miss this rare opportunity to witness the magnificence of Rococo porcelain at the Wawel Castle. The exhibition runs until September 29.